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Lara Di Lara - Su Ver Leylam (2018)
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VA - It´s Rockin´ Time - Duke Reid´s Rocksteady 1967 - 1968 (Trojan)
Tommy McCook & the Supersonics weigh in with four instrumental tracks, highlighted by "Indian Love Call," with its snake-charming horns. Their makeover of the New Vaudeville Band's "Winchester Cathedral" into "Train to Ska-thedral" is a good blow to the funnybone. The Techniques and the Melodians sing some tight, soulful harmonies; Phyllis Dillon's rendition of the Shirelles' "Things of the Past" is a real goodie.
It's not one of the more prominent rock steady comps, but it's a fine collection for enthusiasts of the style, and one of the better entries into the genre if you're unfamiliar with the music.
Tracklist:
1. Lloyd & Glen - Jezebel
2. Eric "Monty" Morris - If I Didn't Love You
3. Justin Hinds & The Dominoes - Fight Too Much
4. Tommy McCook & The Supersonics - Indian Love Call
5. Phyllis Dillon - It's Rocking Time
6. The Techniques - Day-O
7. The Conquerors - I Fall In Love
8. Tommy McCook & The Supersonics - Jam Session
9. Phyllis Dillon - Things Of The Past
10. The Conquerors - Lonely Street
11. The Techniques - Drink Wine
12. Tommy McCook & The Supersonics - Train To Ska-Thedral
13. The Three Tops - The Sound Of Music
14. The Melodians - I Know Just How She Feels
15. The Silvertones - Slow And Easy
16. Lynn Taitt With Tommy Mccook & The Supersonics - Spanish Eyes
VA - It´s Rockin´ Time - Duke Reid´s Rocksteady 1967 - 1968 (Trojan)
(320 kbps, cover art included)
Tracklist:
1. Lloyd & Glen - Jezebel
2. Eric "Monty" Morris - If I Didn't Love You
3. Justin Hinds & The Dominoes - Fight Too Much
4. Tommy McCook & The Supersonics - Indian Love Call
5. Phyllis Dillon - It's Rocking Time
6. The Techniques - Day-O
7. The Conquerors - I Fall In Love
8. Tommy McCook & The Supersonics - Jam Session
9. Phyllis Dillon - Things Of The Past
10. The Conquerors - Lonely Street
11. The Techniques - Drink Wine
12. Tommy McCook & The Supersonics - Train To Ska-Thedral
13. The Three Tops - The Sound Of Music
14. The Melodians - I Know Just How She Feels
15. The Silvertones - Slow And Easy
16. Lynn Taitt With Tommy Mccook & The Supersonics - Spanish Eyes
VA - It´s Rockin´ Time - Duke Reid´s Rocksteady 1967 - 1968 (Trojan)
(320 kbps, cover art included)
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Bilal Karaman - Manouche A La Turca (2018)
1. Gaco Swing (Feat. Göksun Çavdar)
2. Romanipen (Feat. Pierre Blanchard)
3. Dark Eyes
4. Nihavend Sirto
5. Land Of Mysteries
6. Onbirli (Feat. Göksun Çavdar)
7. Bekledim De Gelmedin (Feat. Hüseyin Kemancı)
8. Nihavend Longa (Feat. Göksun Çavdar)
9. Dolaylama
10. Nikriz Longa
11. Darıldın Mı Cicim Bana
12. Nehavend Sirto
Tür: Jazz / Folk / Instrumental
320 Kbps
2. Romanipen (Feat. Pierre Blanchard)
3. Dark Eyes
4. Nihavend Sirto
5. Land Of Mysteries
6. Onbirli (Feat. Göksun Çavdar)
7. Bekledim De Gelmedin (Feat. Hüseyin Kemancı)
8. Nihavend Longa (Feat. Göksun Çavdar)
9. Dolaylama
10. Nikriz Longa
11. Darıldın Mı Cicim Bana
12. Nehavend Sirto
Tür: Jazz / Folk / Instrumental
320 Kbps
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DROP 16 /// BAIANA SYSTEM “O FUTURO NÃO DEMORA”\ 2019 qual o...
DROP 16 /// BAIANA SYSTEM “O FUTURO NÃO DEMORA”\ 2019
qual o papo :: twitter // facebook // instagram // resenha
streaming maroto :: spotify // deezer // full album playlistah
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Simon Stanley Ward & The Shadows Of Doubt. Songs From Various Places
Long a mainstay of the London pub gigging scene Simon Stanley Ward released a fine debut album a few years back but since then he’s developed a career as a stand up comedian so it was with some trepidation that we bunged this on the player. The first song, Jurassic Park, is about, well, you guessed it, the movie Jurassic Park. Over a pumped up new wave backdrop Ward sings about how he wished he was Jeff Goldblum in the said movie. It ‘s the type of song a band like The Vapours could have slain Top Of The Pops with back in the eighties which is fine but it doesn’t bode well for the remainder of the album.
Thank heavens then that the remainder of the songs are built on stronger foundations although there’s little of the Alt Country feel of Ward’s debut. They are light hearted in the lyrical sense as he sings about Beluga whales and the import of water and stylistically they wander from fifties rock to grungy Spanish Stroll like riffs with only one song venturing into country territory. It helps immensely that Ward has assembled an ace band composed of some familiar names including Paul Lush (who also produced), Henry Senior, Tom Collinson, Geoff Easeman and Neil Marsh – have a look through your collection and you’ll find those names in there.
The ramshackle honky tonk, I Heard It All, on the perils of voicemail and ensuing paranoia, recalls some of the work of Phil Lee and it’s our favourite number here purely because it reminds us of the first album. However, the next song, Wow, is an absolute cracker as it zooms off like a Thin Lizzy and Hawkwind merger. Here Ward recounts a true event when an astronomer working on the SETI project believed he had received an alien message (look it up). The band zoom into outer space as Lush lets rip with some stratospheric guitar solos before it all boils down with some interstellar warbles. Grand stuff. Beluga Whale is more restrained, the band laying down a fine beat as Ward imagines himself one of these clown like leviathans while laying down a nice plea regarding the fate of these beasts. Meanwhile Water (You’ve Got To Have It) comes across as an environmental lecture being delivered by a somewhat dishevelled Bob Dylan (with his heart in the Highlands) as Ward does his best impression while the band wheeze and heave mightily with some excellent accordion from Gill Frost.
Settling into the album there’s the sublime Mexican tinged Goodbye, the glowering funk of Set In Stone and the sunny delight of A Friend (Who Isn’t Me) with pedal steel and chunky twang guitar giving it a fine swagger. All fine songs and quite smart lyrically but we’ll reserve the last words for the closing Wine. It returns to a new wave type of style but here it’s more Joe Jackson than The Vapours as Ward meditates on the results of spilling his last glass of Rioja into his bath as he soaks. Again, the band are a salve as they revolve around Ward’s words with a great degree of empathy. If Elvis Costello is looking for a new backing band he should start here.
Overall Songs From Various Places is an odd album but there’s no doubting the craft that’s gone into the making of it. After listening to it over the past few days we’d actually love to see Ward do a 1980’s TOTP video for the opening song, skinny ties and all and he could maybe persuade Jeff Goldblum to do a cameo.
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Head Machine - Orgasm (1970)
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Los Yaki – Todos Sus Exitos (1965-1969)
Los Yaki – Todos Sus Exitos (1965-1969, Mexico).
"Todos Sus Exitos” é uma compilação que reúne alguns dos maiores sucessos desta excelente banda mexicana, Los Yaki, gravados entre 1965 e 1969. Los Yaki foi uma banda de rock que se formou em Reynosa, Tamaulipas, México, em 1964. Foi uma das muitas bandas da primeira onda do rock mexicano que cantavam em castelhano, quando a tradução para o espanhol dessas canções de rock era a norma, nessa altura. Los Yaki focaram-se em canções da época da “Invasão Britânica” e gravaram o seu primeiro álbum, em 1965.
A banda tinha dois vocalistas, Benny Ibarra que interpretava rock e canções mais enérgicas e José Luis Gazcón que cantava as baladas e as canções românticas. Entre os seus maiores êxitos destacamos, “Diablo Con Vestido Azul/La Plaga”, “Shake/Lucila”, Recargado En el Farol”, “Teresa”, Cenizas”, “La Niña Fresa”, “De Dia y de Noche”, “Enrique VIII”, “Auxilio”, “Sonia”, entre outros.
Los Yaki foi também o primeiro grupo a gravar um álbum totalmente ao vivo, com canções em inglês como, “Please, Please, Please”, “Do You Love Me”, “Don't Bring Me Down”, “Devil With a Blue Dress”, “Anna”, “What I'd Say”, e outras.
O grupo separou-se em 1970. Informação sobre Los Yaki, já se encontra inserida neste blog.
Formação Original/Original Line-up:
Benito Raul "Benny" Ibarra (Vocalista)
José Luis Gazcón (Guitarra solo, requinto, segunda voz)
Manuel "Meme" Gazcón (Baixo)
Luis Alfonso Ascencio (Guitarra ritmo)
Miguel Angel Ibarra (Bateria)
Compilação gentilmente cedida por Luís Futre, a quem agradecemos.
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Esra Zeynep Yücel - Dear Frank (2019)
1. Let's Fall In Love
2. L.O.V.E.
3. I've Got You Under My Skin
4. New York, New York
5. Cheek To Cheek
6. My Funny Valentine
7. The Girl from Ipanema (Feat. Lena Seikaly)
8. The Way You Look Tonight
9. Fly Me To The Moon
10. It Could Happen To You
Tür: Jazz
320 Kbps
2. L.O.V.E.
3. I've Got You Under My Skin
4. New York, New York
5. Cheek To Cheek
6. My Funny Valentine
7. The Girl from Ipanema (Feat. Lena Seikaly)
8. The Way You Look Tonight
9. Fly Me To The Moon
10. It Could Happen To You
Tür: Jazz
320 Kbps
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Wadada Leo Smith – Rosa Parks Pure Love. An Oratorio Of Seven Songs (2019)
Artist: Wadada Leo Smith
Album: Rosa Parks Pure Love. An Oratorio Of Seven Songs
Released: 2019
Style: Classical
Format: MP3 320Kbps
Size: 164 Mb
Tracklist:
01 – Journey Resistance and Unity
02 – Rosa Parks Mercy, Music for Double Quartet
03 – The Montgomery Bus Boycott The First Light, Gold
04 – Defiance, Justice and Liberation
05 – Change It! The Truth No Fear
06 – Rosa’s Blue Lake The Second Light A Blue Casa
07 – Pure Love The Known World Apartheid Victory!
DOWNLOAD LINKS:
RAPIDGATOR: DOWNLOAD
TURBOBIT: DOWNLOAD
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Некоторое отсутствие пуговиц - Ягода грустника (2019) / indie rock, reggae, acoustic, Белоруссия
«Ягода грустника» как будто сошла с полки с акустическими альбомами «Аквариума» или какого-нибудь старого, подзабытого русского регги. Это музыка от которой мы все немного отвыкли, но это делает её только лучше. Всё так знакомо: пронзительный зимний холод, ожидание лета, а потом и само лето, небольшая ирония и грусть, но при этом всегда — философское спокойствие. Этот альбом для меня как возвращение домой или как поход в ботанический сад Петербурга, альбом наблюдательный и мудрый. Настоящий андеграунд там, где человек делает что-то, не требуя ничего взамен, делает это без оглядки, без страховки. Иван Почивалов делает это именно так. Слушайте и согревайтесь.
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Che (Alix Plain) - Electronic Funk & Soul
Che was the solo recording alias of Alix Plain (born Alex Johnson), who previously led Liverpool's Modern Eon, an overlooked post-punk band of the late '70s and early '80s. After Modern Eon broke up, four-fifths of the group continued as This Time Next Year while Plain opted to go solo. Signed to Desire, he debuted his Che project in 1983 with the What You've Been Through Is Love 12" single. A couple years passed until 1989's full-length Narcotic. Supported by a pair of 12" singles, the album was produced by On-U Sound's Adrian Sherwood; it also featured instrumental help from Sherwood's cronies (and Sugar Hill veterans) Skip McDonald, Doug Wimbish, and Keith LeBlanc.
"Light funk ranging from atmospheric to a lighter version of the On-U sound. Some excellent moments, but watch out for a couple of the more dance-oriented tracks." [I love that: Watch out! Someone listening to college radio might be moved to dance! Danger!]
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More Electronic Funk
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RORY GALLAGHER / 1973 / Tattoo
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ANNOUNCEMENT: Xylouris White (AUS/GRE, Bella Union) / DALI, Cork / Fri. 5th April 2019
We are delighted to welcome back the legendary duo Xylouris White for a Cork show on Friday 5th April 2019. All details are below.
Fractured Air & Dali Live present:
Xylouris White & special guests
Friday 5th April
Doors 8PM (EARLY SHOW)
Dali
Careys Lane,
Cork
TICKETS: https://www.eventbrite.ie/e/fractured-air-dali-present-xylouris-white-and-special-guests-tickets-57166586800
Xylouris White (Jim White and George Xylouris)
Xylouris White is the inspired collaboration between Greek lute player George Xylouris and the Australian, Brooklyn-based drummer Jim White. Both composers are legends in their own right, the former through his Cretan lute-led sounds of the Xylouris Ensemble, the latter through his membership of mythical Australian trio Dirty Three and myriad collaborations over the years (Nina Nastasia, Cat Power, Bill Callahan, PJ Harvey, Nick Cave, to name a few). Both have harnessed truly unique and unparalleled playing styles and levels of musicianship in their respective instruments where inspiration seems in endless supply at all times. Xylouris White create the kind of celestial, contemporary and powerful music which blurs all boundaries and constantly defies all categorization (and logic) in the process.
A passion for exploration comes naturally to Xylouris White, the ruggedly visionary duo formed of Cretan lute player George Xylouris and Australian drummer Jim White. For their debut album, 2014’s Goats, Xylouris White compared themselves to the titular animals, wandering fearlessly through rough-hewn terrain. Two years later, they showed how far their horizons could reach on 2016’s majestically expansive Black Peak, named after a mountain top in Crete.
Just 15 well-toured months after the band’s universally acclaimed sophomore full length ‘Black Peak’, the duo’s exploratory instincts drive them further onwards still on their third album, Mother, released last year on Bella Union, and named to denote “new life”. As Xylouris puts it, “Mother is the extension of Goats and Black Peak. Three things, all part of a whole. Goats are mothers, Zeus was raised on Amaltheia’s milk, Black Peak is Mother Earth… Mother Earth is the mother of everything.”
Across Mother’s nine tracks, Xylouris White nurture fecund growths from the spaces between their instruments. Sometimes the songs drive with an invigorating urgency; sometimes they brood, plead, yearn and lull. The duo seems to discover each other anew at every turn, teasing the songs out from their fluid chemistry with the kind of virtuosity that knows when to listen, accommodate and learn afresh. “A theme of the album is the significance of simplicity and a child-like approach,” Xylouris explains. “So, we connect mother and child and play instruments as toys. Xylouris White is still gestating.”
That ongoing gestation is a remarkable extension of already remarkable back-stories. Xylouris is a scion of one of Greece’s most revered musical families. His father is legendary singer and lyra player Psarantonis. Jim White, meanwhile, has commanded international attention for more than two decades as part of Australia’s Dirty Three. Now New York-based, White has often been called on to collaborate with numerous alt-A-listers (including: Bonnie ‘Prince’ Billy, PJ Harvey, Cat Power and Smog), where he redeploys the rolling momentum of free-jazz to variously supple, sensitive and seismic ends. Most recently he performed with Kurt Vile and Courtney Barnett on their acclaimed album “Lotta Sea Lice”.
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https://www.xylouriswhite.com/
https://www.facebook.com/XylourisWhiteBand/
–
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Fractured Air & Dali Live present:
Xylouris White & special guests
Friday 5th April
Doors 8PM (EARLY SHOW)
Dali
Careys Lane,
Cork
TICKETS: https://www.eventbrite.ie/e/fractured-air-dali-present-xylouris-white-and-special-guests-tickets-57166586800
–
https://www.xylouriswhite.com/
https://www.facebook.com/XylourisWhiteBand/
–
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Smoove & Turrell – Solid Brass Ten Years Of Northern Funk (2019)
Artist: Smoove And Turrell
Album: Solid Brass Ten Years Of Northern Funk
Released: 2019
Style: Funk
Format: MP3 320Kbps
Size: 171 Mb
Tracklist:
01 – I’m a Man
02 – Slow Down
03 – You Could’ve Been a Lady
04 – Let Yourself Go
05 – Beggarman
06 – Will You Be Mine
07 – You Don’t Know
08 – You’re Gone
09 – I Can’t Give You Up
10 – Don’t Go
11 – Broke
12 – Lay It on Me
13 – I Feel Alive
14 – Give It Back
15 – In Deep
16 – Hard Work
17 – Have Love
18 – Mr Hyde
DOWNLOAD LINKS:
RAPIDGATOR: DOWNLOAD
TURBOBIT: DOWNLOAD
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Modeselektor — Who Else (2019) / bass, techno, idm, electronic, experimental
Крутые немецкие электронщики, хорошо известные как своими оригинальными, магнетическими творениями, так и шедеврами написанными совместно с Сашей Рингом в проекте Moderat. У парней нечасто выходят полноформатники, так что это ценная новость.
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MERCURY REV - Bobbie Gentry's The Delta Sweete Revisted (2019) After four quiet years, beloved American...
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JOHN MAYALL - Nobody Told Me (2019) Nobody Told Me, the new studio album from Blues Hall of Fame member,...
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CRISTIANO - CRISTIANO VOLUME 2 (1972) REPOST
Há algum tempo que eu queria repostar o álbum "Cristiano - Volume 2", do cantor paranaense Cristiano, lançado no Brasil, em 1972, pela gravadora Chantecler, que foi postado originalmente em novembro/2011.
Atendendo a pedido e como recentemente foi repostado o volume 1, resolvi reapresentar com algo a mais. Nesta versão, incluímos 6 bônus, referentes aos compactos (singles) lançados pela gravadora RCA, em 1973 e 1974, com o pseudônimo de Cris McClayton e três bônus dos compactos do início da carreira na gravadora Astor, com o nome de Pedro Luis (1964 e 1966).
Dos bônus incluídos, destaco os seus maiores sucessos que foram as canções Descendo o Rio e Bye Bye Rose Marie e Bye Bye Rose Marie, compostas por Ciro Aguiar e Luiz Roberto. Uma coisa interessante que descobri, decorrente do pouco conhecimento desse cantor pelo público atual é que há na internet menção equivocada de que essas duas músicas são cantadas por Ciro Aguiar, o que não é verdade. Inclusive é citada em vídeo, postado no "Youtube".
No disco "Cristiano - Volume 2" há a participação especial da cantora Ellen Blanco, em quatro faixas. As músicas seguem o mesmo padrão do primeiro volume (Ver Postagem de 06/Fev/2019), com versões de Fred Jorge. Para resgatar a trajetória de Cris McClayton, os jornalistas Antonio Carlos Domingues e Ulisses Iarochinski, produziram o documentário que foi lançado em 07/nov/2014, no Cine Guarani, em Curitiba.
As músicas que compõem o álbum "Cristiano - Volume 2" e os bônus são as seguintes:
01. Eu, Maria (I did what for Maria);
Atendendo a pedido e como recentemente foi repostado o volume 1, resolvi reapresentar com algo a mais. Nesta versão, incluímos 6 bônus, referentes aos compactos (singles) lançados pela gravadora RCA, em 1973 e 1974, com o pseudônimo de Cris McClayton e três bônus dos compactos do início da carreira na gravadora Astor, com o nome de Pedro Luis (1964 e 1966).
Dos bônus incluídos, destaco os seus maiores sucessos que foram as canções Descendo o Rio e Bye Bye Rose Marie e Bye Bye Rose Marie, compostas por Ciro Aguiar e Luiz Roberto. Uma coisa interessante que descobri, decorrente do pouco conhecimento desse cantor pelo público atual é que há na internet menção equivocada de que essas duas músicas são cantadas por Ciro Aguiar, o que não é verdade. Inclusive é citada em vídeo, postado no "Youtube".
No disco "Cristiano - Volume 2" há a participação especial da cantora Ellen Blanco, em quatro faixas. As músicas seguem o mesmo padrão do primeiro volume (Ver Postagem de 06/Fev/2019), com versões de Fred Jorge. Para resgatar a trajetória de Cris McClayton, os jornalistas Antonio Carlos Domingues e Ulisses Iarochinski, produziram o documentário que foi lançado em 07/nov/2014, no Cine Guarani, em Curitiba.
Inicialmente pensada para ser contada num curta-metragem, a história do cantor acabou virando um longa, como explica Antonio Carlos: “durante as pesquisas e coleta dos depoimentos acabamos tomando contato com um personagem muito maior do que imaginávamos. Como exemplo, acabamos descobrindo que o Cris gravou o que é considerado o primeiro disco de rock do Paraná, um compacto simples com a música Vou mentir, de autoria de Dirceu Graeser”.
A trajetória do cantor - Batizado como Pedro Luis Schoemberg, o cantor iniciou a carreira com o nome artístico de Cristiano. Trilhou praticamente o mesmo caminho da maioria dos artistas nacionais. Começou cantando para os amigos, passou por programas de calouro, gravou disco e ganhou projeção nacional ao ir cantar na noite paulistana.
Em São Paulo, a convite do apresentador Antonio Aguillar, participou da sensação televisiva do momento, o programa “Reino da Juventude”. Depois de ter gravado uma música num disco de coletâneas da gravadora Copacabana, gravou seu primeiro álbum Long playing - Lp pela Chantecler.
Logo depois foi contratado pela gravadora RCA Victor, e em seguida foi para BMG, companhia em que gravou, já como Cris McClayton, o compacto que estourou nacionalmente com a música Bye Bye Rose Marie. E no lado B, a música Descendo o Rio, ambas composições de Cyro Aguiar e Luiz Roberto.
Após forte desilusão amorosa, Cris abandonou o cenário nacional e retornou a Curitiba. Na opinião do jornalista Luiz Augusto Juk, amigo de infância do cantor, ele era um artista completo. “O Pedro tinha tudo para fazer sucesso nacional. Ele possuía uma voz única, cantava muito bem, tinha presença de palco, estava no local certo (São Paulo), no momento certo, e abandonou tudo de uma hora para outra, para vir cantar num restaurante dançante em Curitiba. Acho que a personalidade conflitante do ‘Pedro Loco’, que era assim que ele era conhecido em Harmonia (distrito de Telêmaco Borba), ajuda a explicar um pouco”, finaliza o jornalista. Pedro Luis Schoemberger (Pedro Luis, Cristiano, Cris McClayton, Bill Diamond ou Gene Edwards), faleceu em 15 de maio de 2012.
As músicas que compõem o álbum "Cristiano - Volume 2" e os bônus são as seguintes:
01. Eu, Maria (I did what for Maria);
02. Eu, sem ninguém (I am...I said);
03. É bom sonhar (Co-co);
04. Não vai morrer (Don't le it die) - com Ellen Blanco;
05. Se eu fosse um rei (When you are a king);
06. Lady Rose;
07. Se chover não faz mal (Me and you and a dog named Boo);
08. Minha mãe zangou (Chyrpy Chyrpy Cheep Cheep) - com Ellen Blanco;
09. Vou fugir do teu amor (I'm gonna run away from you) - com Ellen Blanco;
10. Branco e preto (Black and white);
11. Eu sei quem você é (Pied piper);
12. Banner man - com Ellen Blanco;
Bônus:
13. Bye bye Rose Marie (como Cris McClayton);
14. Descendo o rio (como Cris McClayton);
15. Rock das quebradas (como Cris McClayton);
16. Longe de você (como Cris McClayton);
17. Coração de peão (como Cris McClayton);
18. Selva de pedra (como Cris McClayton);
19. Vou mentir (como Pedro Luis);
20. Agora é tarde (como Pedro Luis);
21. Estação do amor (como Pedro Luis);
![Cristiano%2B-%2BCristiano%2BVol%2B2_Fron]()
![Cristiano%2B-%2BCristiano%2BVol%2B2_Cap3]()
![Cristiano%2B-%2BCristiano%2BVol%2B2_Cap2]()
![Cris%2BMcclayton%2B%2528Cristiano%2529%2]()
![Cris%2BMcclayton%2B%2528Cristiano%2529%2]()
![Cris%2BMcClayton%2B-%2BSelva%2Bde%2BConc]()
![Cris%2BMcclayton%2B-%2BDescendo%2Bo%2Bri]()
![Procurando%2BCris%2BMcClayton%2B-%2BCurt]()
![Pedro%2BLuiz%2B%2528Cristiano%2529%2B196]()
03. É bom sonhar (Co-co);
04. Não vai morrer (Don't le it die) - com Ellen Blanco;
05. Se eu fosse um rei (When you are a king);
06. Lady Rose;
07. Se chover não faz mal (Me and you and a dog named Boo);
08. Minha mãe zangou (Chyrpy Chyrpy Cheep Cheep) - com Ellen Blanco;
09. Vou fugir do teu amor (I'm gonna run away from you) - com Ellen Blanco;
10. Branco e preto (Black and white);
11. Eu sei quem você é (Pied piper);
12. Banner man - com Ellen Blanco;
Bônus:
13. Bye bye Rose Marie (como Cris McClayton);
14. Descendo o rio (como Cris McClayton);
15. Rock das quebradas (como Cris McClayton);
16. Longe de você (como Cris McClayton);
17. Coração de peão (como Cris McClayton);
18. Selva de pedra (como Cris McClayton);
19. Vou mentir (como Pedro Luis);
20. Agora é tarde (como Pedro Luis);
21. Estação do amor (como Pedro Luis);
Cartaz - Documentário "Procurando Cris McClayton)
Pedro Luis (Cristiano) - em 1966
Documentário Curta - Youtube
Links:
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Amerigo Gazeway Nina Simone & Lauryn Hill The Miseducation of Eunice Waymon
Amerigo Gazeway
Nina Simone & Lauryn Hill
The Miseducation of Eunice Waymon
(bandcamp/free download, 2019)
more details
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Nils Frahm & Anne Müller - 7Fingers (2010)
Müller's overdubbed cello lines get a chance to shine on their own first, before the title track sets out the MO for the album: Frahm in heavily electronic mode, with the cello lines either chopped & spliced or multi-tracked and effects laden. The Reich/Glass-esque Let My Key Be C is an early highlight that dances around your ears before the core of album heads into glitchier territory once more.
Reminds To Teeth with its mix of piano, cello and ambient sounds is a mellower favourite for me, and the album ends with a vocal track sung by Berlin artist Andreas Bonkowski. This closer, Long Enough, does sound a bit like an end credits song for some European indie thriller, but none the worse for it. It's actually a perfect ending for a really nice album of interesting twists and turns.
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