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İstanbul Hafif Müzik Ve Caz Orkestrası - 50. Yıl Özel Serisi (2014)

February 18, 2019, 9:17 am
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1. Ve Ben Yalnız
2. Dilek
3. Emotional Inductions
4. Omyxe
5. What A Wonderful World
6. I've Got You Under My Skin
7. My Foolish Heart
8. Polonia
9. How Much Do You Love Me

Tür: Jazz / Instrumental
320 Kbps
 

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Jeroen Elfferich – The Essence (2019)

February 18, 2019, 9:23 am
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Artist: Jeroen Elfferich

Album: The Essence

Released: 2019

Style: Piano

Format: MP3 320Kbps

Size: 116 Mb


Tracklist:
01 – Brown
02 – The Essence Four
03 – Far Away the End
04 – Zebra Finch
05 – Piano Peace Ten
06 – The Essence Ten
07 – The Essence One
08 – Blue
09 – One Moment
10 – The Essence Nine
11 – New Dream
12 – Piano Peace Six
13 – The Essence Five
14 – Sky
15 – Piano Peace Four

DOWNLOAD LINKS:
RAPIDGATOR: DOWNLOAD
TURBOBIT: DOWNLOAD

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agrifuture: *plays with a lighter* I am a pyromaniac. You need to watch out for me because I am...

February 18, 2019, 9:24 am
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agrifuture:

*plays with a lighter* I am a pyromaniac. You need to watch out for me because I am out of control

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Çamur - Ayrılamıyoruz Meliha'yla / Ömrüm (2017)

February 18, 2019, 9:44 am
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1. Ayrılamıyoruz Meliha'yla
2. Ömrüm

Tür: Rock
320 Kbps

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Guest Mixtape: Julia Kent (Canada/The Leaf Label)

February 18, 2019, 10:33 am
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To coincide with the release of “Temporal”, the world-renowned Canadian cellist and composer Julia Kent’s majestic fifth studio album, we are excited to present a very special guest mix compiled by one of independent music’s true treasures. The New York-based composer – originally best known as cellist for Antony and the Johnsons and member of the cello-driven group Rasputina – has quietly amassed a monumental body of solo work since “Delay”, her 2007 debut full-length. Each subsequent recording never ceases to amaze in it’s immense artistic vision and graceful execution, all the while revealing Kent as one of the most consistently fascinating artists making music today. 

Spanning a breathtaking spectrum of some of the world’s most innovative contemporary composers, Julia Kent’s guest mix beautifully blends modern classical, electronic, ambient and experimental spheres to wondrous effect. “Temporal” is available now on The Leaf Label.

juliakent_mixsleeve

 

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Tracklist:

01. Jessica Moss – “Fractals (Truth 4)” (Constellation)
02. Sarah Davachi – “Third Hour” (Ba Da Bing!)
03. Resina – “Procession” (130701)
04. Kelly Moran – “Halogen” (Warp)
05. Galya Bisengalieva – “Tulpar” (NOMAD Music Productions)
06. Helena Hauff – “Entropy Created You And Me” (Ninja Tune)
07. Barbara Morgenstern – “Brainfuck” (Staatsakt)
08. Fatima Al Qadiri – “Breach” (Hyperdub)
09. Jlin – “The Abyss of Doubt” (Planet Mu)
10. Zora Jones – “Too Many Tears” (Fractal Fantasy)
11. Holly Herndon & Jlin – “Godmother” (feat. Spawn) (4AD)
12. Gudrun Gut – “Boys Keep Swinging” (Monika Enterprise)
13. Kali Malone – “Arched in Hysteria” (Hallow Ground)
14. Félicia Atkinson & Jefre Cantu-Ledesma – “Indefatigable Purple” (Shelter Press)
15. Christina Vantzou – “Sound House” (Kranky)

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‘Temporal’ is out now on The Leaf Label.

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https://www.juliakent.com/
http://www.theleaflabel.com/

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Nubiyan Twist Jungle Run

February 18, 2019, 10:44 am
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Black To Comm Seven Horses For Seven Kings

February 18, 2019, 10:44 am
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Lost but Not Forgotten

February 18, 2019, 11:35 am
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Being an acolyte of all things On-U Sound & a fan of Mark Stewart (Pop Group, Maffia, or solo), I've posted other MS & M offerings here & here. Now the latest.


mark.jpg



In January of this year, Mute Records rereleased 1983s Learning to Cope with Cowardice
by Mark Stewart & Maffia (both 2xCD & 2xLP are already sold out).

Along with this reissue of the original comes The Lost Tapes, a collection that represents the outcome of a painstaking search & the presentation of previously unheard material. Brought together into a sequence of embryonic prototypes, frenzied dub versions, & new archive discoveries, The Lost Tapes chronicles the early ideas & unknown stories that defined the outset of Stewart & Adrian Sherwood's vastly influential work together.

Beginning with the seething assault of "Intro" the collection provides a glimpse into a project Stewart originally intended for William Burroughs whilst "May I" presents a never-before-heard spectacle of raw Dubwise disorder recently discovered on an unmarked tape in an archive in France. Elsewhere there are significant coups in the form of "Paranoia", a pristine yet tough alternate version to "The Power of Paranoia", & "The Weight", another previously unreleased track that, in its forthright lyricism, reveals the vigor with which Stewart has, for many years, been committed to the Campaign Against The Arms Trade. Other revelatory moments include "Conspiracy" the first-ever collaboration between Stewart & Sherwood & "Jerusalem (prototype)", a historic first version of LtCwC's defining anthem, originally aired at the fateful CND rally in Trafalgar Square that signaled an end to Stewart's days in The Pop Group ver.1.0 & initiated his solo career.

Mark himself perceives The Lost Tapes as a document that now possesses a storied significance: "It was a real adventure discovering this forbidden history, a twisted tale of Muswell Hillbillies, French pirates, & a Dutch schizophrenic doctor doing psychic archaeology." Adrian Sherwood describes these works as characteristic of a distinct primitivism: "[The Lost Tapes represent] the early childhood of the songs before Mark & I conducted frenzied, scorched earth, slash-&-burn, twenty-hour mental manic editing sessions at Crass' studios that led to the birthing of the finished album."


Lost%2BTapes%2Bfront.jpg
Mark Stewart & Maffia - The Lost Tapes 1983, Mute Records 69759 , 2019.

Intro
May I
Conspiracy
Jerusalem (prototype)
Paranoia
Liberty Dub
Vision
Cowardice Dub
High Ideals & Crazy Dub
The Weight

You better grab this while it lasts.

Enjoy,
NØ
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Lost but Not Forgotten

February 18, 2019, 11:35 am
$
0
0
Being an acolyte of all things On-U Sound & a fan of Mark Stewart (Pop Group, Maffia, or solo), I've posted other MS & M offerings here & here. Now the latest.


mark.jpg



In January of this year, Mute Records rereleased 1983s Learning to Cope with Cowardice
by Mark Stewart & Maffia (both 2xCD & 2xLP are already sold out).

Along with this reissue of the original comes The Lost Tapes, a collection that represents the outcome of a painstaking search & the presentation of previously unheard material. Brought together into a sequence of embryonic prototypes, frenzied dub versions, & new archive discoveries, The Lost Tapes chronicles the early ideas & unknown stories that defined the outset of Stewart & Adrian Sherwood's vastly influential work together.

Beginning with the seething assault of "Intro" the collection provides a glimpse into a project Stewart originally intended for William Burroughs whilst "May I" presents a never-before-heard spectacle of raw Dubwise disorder recently discovered on an unmarked tape in an archive in France. Elsewhere there are significant coups in the form of "Paranoia", a pristine yet tough alternate version to "The Power of Paranoia", & "The Weight", another previously unreleased track that, in its forthright lyricism, reveals the vigor with which Stewart has, for many years, been committed to the Campaign Against The Arms Trade. Other revelatory moments include "Conspiracy" the first-ever collaboration between Stewart & Sherwood & "Jerusalem (prototype)", a historic first version of LtCwC's defining anthem, originally aired at the fateful CND rally in Trafalgar Square that signaled an end to Stewart's days in The Pop Group ver.1.0 & initiated his solo career.

Mark himself perceives The Lost Tapes as a document that now possesses a storied significance: "It was a real adventure discovering this forbidden history, a twisted tale of Muswell Hillbillies, French pirates, & a Dutch schizophrenic doctor doing psychic archaeology." Adrian Sherwood describes these works as characteristic of a distinct primitivism: "[The Lost Tapes represent] the early childhood of the songs before Mark & I conducted frenzied, scorched earth, slash-&-burn, twenty-hour mental manic editing sessions at Crass' studios that led to the birthing of the finished album."


Lost%2BTapes%2Bfront.jpg
Mark Stewart & Maffia - The Lost Tapes 1983, Mute Records 69759 , 2019.

Intro
May I
Conspiracy
Jerusalem (prototype)
Paranoia
Liberty Dub
Vision
Cowardice Dub
High Ideals & Crazy Dub
The Weight

You better grab this while it lasts.

Enjoy,
NØ
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Various Artists Anthology of contemporary music from Africa continent

February 18, 2019, 11:45 am
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Various Artists
Anthology of contemporary music from Africa continent
(Unexplained Sounds Group, 2019)
more details

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Fela Kuti - Fela Fela Fela (1969)

February 18, 2019, 11:47 am
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It's almost impossible to overstate the impact and importance of Fela Anikulapo (Ransome) Kuti (or just Fela as he's more commonly known) to the global musical village: producer, arranger, musician, political radical, outlaw. He was all that, as well as showman par excellence, inventor of Afro-beat, an unredeemable sexist, and a moody megalomaniac.

The album "Fela Fela Fela", a Duke Lumumba recording, is is the original LA Session album released in Nigeria on EMI Nigeria. Lonnie Bolden plays tenor sax, jacket design by Ebele and Chinye.
Tracklist:

1. My Lady Frustration
2. Viva Nigeria
3. Obe
4. Ako
5. Witchcraft
6. Wayo
7. Lover
8. Funky Horn
9. Eko
10. This is Sad

Fela Kuti - Fela Fela Fela (1969, EMI Nigeria)
(192 kbps, cover art included)
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Zdeněk Liška - Ikarie XB-1 (1963 / 2019)

February 18, 2019, 12:46 pm
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1. ikarie xb-1
2. surveillance on standby / alpha centauri
3. a small stone in space
4. sunflower for a new star
5. the backwoods of the universe
6. silver ball (věra in cameo)
7. e.v.a. will teach you
8. the tiger's breath
9. the dark star
10. do not eat the fruit
11. the awakening
12. voyage to the end (of the universe)
13. the white planet

listen & buy
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Nicola Cruz - Siku (2019)

February 18, 2019, 1:11 pm
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1. arka (con esteban valdivia)
2. siku
3. el diablo me va a llevar
4. hacia delante (con castello branco)
5. voz de las montanas (con minuk)
6. siete
7. obsiadana
8. senor de las piedras
9. okami
10. esu enia (con marcio pinto)

listen & buy
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Clifford Jordan & John Gilmore - Blowing In From Chicago 1957

February 18, 2019, 1:28 pm
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Clifford Jordan's first date as a leader actually found him sharing a heated jam session with fellow tenor John Gilmore. Backed by pianist Horace Silver, bassist Curly Russell, and drummer Art Blakey, the two saxophonists square off mostly on obscurities (other than Gigi Gryce's "Blue Lights" and "Billie's Bounce"). This was one of Gilmore's few sessions outside of Sun Ra's orbit and, if anything, he slightly overshadows the cooler-toned Jordan. Recommended. AMG.

listen here
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Barry Gordon - Pieces of Time 1971

February 18, 2019, 1:40 pm
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An american actor/singer that made some interesting records, folk with a subtil touch of jazz. Give it a try.

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Art - Supernatural Fairy Tales 1967

February 18, 2019, 1:46 pm
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Patchy but occasionally worthwhile British psychedelia, particularly when it's on the brooding side of that sub-genre. The heavy guitars and organ put this on the path to progressive rock, but the songs are rather more on the straightforward and popish side than those that Spooky Tooth would play when Art evolved into that group. "I Think I'm Going Weird" points to the morbid streak that would become sharper in Spooky Tooth; "African Thing," with its long African-styled drum solo, is the sort of strange, at least by the standards of 1967, item that groups would throw in to show they weren't limiting themselves to traditional rock forms anymore; "Come On Up" is almost a soul-rocker throwback to the V.I.P.s days; and the title track, with its mellotrons, is as close as Art got to the trippy baroque/whimsical mood that blew through so much British psychedelia in 1967 and 1968. The album has been reissued on CD by Edsel. AMG.

listen here
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10cc - 10cc 1973

February 18, 2019, 1:49 pm
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Displaying a command of pop styles and satire, 10cc showed that they are a force to be reckoned with on their first album. Hooks abound, harmonies shine, and instrumentation is dazzling without being overdone. Though charges of "self-consciously clever" could be leveled at the group, their command of witty, Anglo-styled pop is so impressive that even those criticisms must be weighed against the mastery of styles. All four members sing lead and are talented songwriters, and this leads to a wide variety of styles that add to their vision. Featuring their number one U.K. hit "Rubber Bullets," 10cc wade through ten selections of satire and parody. One of the best is "Johnny Don't Do It," a parody of all the "death discs" of the late '50s and early '60s (the misunderstood "bad but really good" guy who is killed in a wreck). More contemporary and bitingly sarcastic is "Headline Hustler," a commentary on the ravenous, scandal-hungry media. Medical facilities and the treatment afforded there is given ripe 10cc commentary in "The Hospital Song." ("And when I go, I'll die of plaster casting love.") Whether doing loving parodies of the music they grew up with or satirizing contemporary issues, 10cc show themselves to be top-level purveyors of pop on their debut recording. Some might criticize the group for being too self-satisfied with their own intelligence, but there is no denying the true craftsmanship and humor on their 1973 debut. AMG.

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Natural Life - Unnamed Land 1976

February 18, 2019, 1:59 pm
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Augustus Pablo - King Tubby Meets Rockers Uptown 1976

February 18, 2019, 2:02 pm
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If you had to pick one album that best represents the pinnacle of the art of dub, you'd cull the candidates down pretty quickly to ten or 12, and it would get very difficult after that. Few would fault you for ending up with this one, though, which stands as perhaps the finest collaboration between two of instrumental reggae's leading lights: producer and melodica player Augustus Pablo and legendary dub pioneer King Tubby. Among other gems, this album offers its title track -- a dub version of Jacob Miller's "Baby I Love You So" -- which is widely regarded as the finest example of dub ever recorded. But the rest of the album is hardly less impressive. "Each One Dub," another cut on a Jacob Miller rhythm, possesses the same dark and mystical ambience, if not quite the same emotional energy, as "King Tubby Meets Rockers Uptown," and the version of the epochal "Satta Massaganna" that closes the album is another solid winner. Pablo's trademark "Far East" sound (characterized by minor keys and prominent melodica lines) is predominant throughout, and is treated with care and grace by King Tubby, who has rarely sounded more inspired in his studio manipulations than he does here. Absolutely essential. AMG.

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8Th Day - I Gotta Get Home 1973

February 18, 2019, 2:04 pm
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While not as arresting as their debut LP, this is still a keeper, if you can find a copy. It contains "Good Book," a solo release by Melvin Davis (who obviously was a member -- why else would Invictus stick his single releases on the 8th Day's albums?). The title track's a good Holland Dozier production, driven by a shuffling, soul-drenched rhythm. Two gospel songs are also featured: "Faith Is the Answer" (written by Davis) and "Heaven Is There to Guide Us" (also recorded by the Glass House). A compilation CD of the 8th Day's best efforts is available on Fantasy Records. AMG.

listen here
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